Review: Abe Sapien #3

You know, there’s a reason I grab every Hellboy Universe comic as soon as I can, and it’s because writers Mike Mignola and Scott Allie are damn good at their job. This week, the “Dark and Terrible” storyline comes to a close in Abe Sapien #3. The small town in southern Colorado that has served as the main setting for the past two issues has come to a head, and the decisions Abe makes will determine the course of his character forever. The first two issues were great in their own right, but also built this finale up to be something spectacular. And Mignola and Allie, as well as artist Sebastian Fiumara and colourist Dave Stewart have once again pulled it off.

Since it’s the final issue of a miniseries, you’ll have to forgive me for being a tad obtuse when discussing the events of this comic. After all, when you’re wrapping everything up in 24 pages, pretty much everything is a spoiler. What I can tell you is that everything that I’ve talked about in previous reviews is wrapped up here, as the theme of who Abe really is and what role he’s going to play from this point on is very much the central focus of the comic.

One of the things this series deserves so much credit for is Mignola and Allie’s ability to focus on a topic without giving everything away or wrapping it all up too quickly. That identity issue is huge, but the mystery of Abe’s birth and where he goes from here is very much left unclear. We have both resolution and a desire to learn more, which is exactly what you want from the end of a story arc in an ongoing. And honestly, though the “Who am I?” concept is far from an original idea (think Superman or the Martian Manhunter), there are more than enough original twists on the concept to keep me guessing. 

I also really enjoyed seeing the B.P.R.D.’s reaction to the whole mess towards the end of the comic. While Abe’s story is quite enjoyable, it’s really nice to get a sense of perspective here as to the larger ramifications of the actions at hand. Since I don’t read B.P.R.D. yet (I’m going through the archives now to try to catch up), I can’t say whether there’s any crossover between that ongoing and this one, but seeing Abe’s actions in a large scale perspective really adds emphasis to the notion that what’s happening is important, and Abe is far more than just some other agent.

It’s not a perfect closing issue, however. Without giving anything away, I think the final confrontation felt a bit rushed. It seemed like a tactic occurring at the time was completely ineffectual, but then after a truly beautiful and touching moment that gave me all of the feels, the confrontation was over because that tactic suddenly worked now. Maybe I missed something, but after re-reading it twice, I still don’t know what I missed. That said, this minor complaint is the equivalent of pointing out the one slightly bruised grape in a bowl of hundreds of them that taste as good as any you’ve ever had. You can do it, and you’re not wrong for pointing it out, but can you honestly be that picky and still respect yourself at the end of the day?

It’d be remiss of me to forget to mention Fiumara’s excellent work on the art. Just look at the image to the left of this paragraph. Do I even need to tell you why this book looks awesome? Instead of pointing out the obvious things he does right, I’m going to compliment Fiumara on something that many people don’t do, but I really appreciate: his backgrounds. Many artists use the most basic of backgrounds, choosing to place their efforts on the foreground only to save themselves time or effort. Fiumara’s backgrounds, on the other hand, are really well detailed, and they help provide the reader with a great ability to figure out where in the world they are.

If I haven’t made it clear with this and my two previous reviews, Abe Sapien #3 is worth the $3.50 cover price, as is each of the previous issues. To me, they’re worth nearly twice as much. The story telling is superb, the characterization is intriguing and captivating, and the art is gorgeous and shows the dedication of the creative team shining through. Ongoings like these are why I love comics, and being able to recommend a book like this is why I review them. So what are you waiting for? Go read it.

Chase Wassenar, aka MaristPlayBoy, is the Lead Editor and Founder of the Red Shirt Crew. He wants to thank Mignola, Allie, Fiumara, and Stewart for such a great storyline, and he could not be more excited to see what the Salton Sea has in store. You can read his other articles at ToyTMA, follow him on Twitter at @RedShirtCrew or email him at theredshirtcrew@gmail.com.

Review: Abe Sabien #2

Earlier this month, I reviewed Abe Sabien #1, a great first issue of the newest ongoing out of the Hellboy Universe. What made that issue great was the ability to bring up interesting questions without giving an answer (providing intrigue) and still keeping the reader satisfied with the set-up provided. It’s a tough balance to find, and Mike Mignola and Scott Allie nailed it. But maintaining that momentum is equally tricky. Did Mignola and Allie step up to the challenge, or is the second issue a step back? Let’s find out.

First, I’d like to talk about the opening scene. That does seem like a good place to start, obviously, but I mean really talk about it. I both love and hate this scene. At times, it feels quite forced. Without giving anything away, it puts Abe specifically in a location he’d want to avoid in order to gain intel that he should probably know by other means. It doesn’t explain how he gets in or out unnoticed, nor why the woman helps him without alerting anyone else to his position. Given the comic fails to really segue from the events of the last issue, it’s hard to imagine this was the cleanest way to handle things. And the dialogue involved does a lot of exposition about things that are already known to anyone who’s been following Hellboy comics. It feels quite disappointing…

…And then, everything changes. The scene suddenly introduces this theme of identity for Abe that is simply brilliant. Who he is, how he views himself, and how others view him cement themselves as a focal point for the ongoing, and the questions being asked actually provide some depth and insight that are thought provoking. At what point does a man stop being a man? What does it mean to be a man in the first place? And if he’s not a man, then what is he, and how are others supposed to react to an individual so much different than themselves? This scene and the scenes that follow paint both sides of that issue, and, refreshingly, there’s no definitive answer given, at least not yet.

In fact, the closing scene is one of the most emotionally powerful things I’ve seen. Yes, I know I’m being incredibly vague once again, but this is one of those scenes that just can’t be spoiled. There’s a lot of controversy behind religion and acceptance in society nowadays. Wait did I say ‘nowadays’? I meant to say ‘since the beginning of time’. My point is that there’s a certain connotation that preacher characters tend to bring. And some of these stereotypes turn out to be real. But the way in which he defies those stereotypes, and the reaction of the crowd to his decisions…it makes for one of the most emotionally gripping climaxes I’ve ever read in a comic. Not an exaggeration. This thing pulled me in and made me care about both sides of an issue in a way I didn’t think possible. When you can make my sympathies lie with both sides, you’ve painted a strong moral issue. It’s amazing work by Allie and Mignola, and more than makes up for my confusion at the beginning of the issue.

Taken from http://www.darkhorse.com

Oh, yeah, should probably talk about the art. It’s hard to imagine forgetting to mention the work of Sebastian Fiumara and Dave Stewart on the art and colours respectively, but the story was just such a strong focus that I almost spaced it. The team once again does a great job, especially on the monster designs. The creepiness and hardship that fills the story is represented well in the art. [Edit: Originally in this spot, I’d written about my frustration with the art design of a particular character that reminded me explicitly of the Big Daddy from Bioshock in such a way that I found it distracting. As a commenter was kind enough to point out, this is actually a fancy Victorian era diving suit, so its placement here makes sense as a stylistic choice. I’d still have preferred something original here, as that image is so iconic to me that I can’t get over the allusion, but that is completely a personal issue, and I can’t possibly use it as a negative against the artwork, the rest of which I thoroughly enjoyed. My mistake.]

At the end of the day, Abe Sapien #2 is a worthy follow up to its predecessor, and actually does a lot to surpass already high expectations. While the first couple pages are a little rocky in the “well why is this happening” department, the characters and themes presented throughout are handled beautifully, and a true moral dilemma is raised for which I don’t think any character will have answers anytime soon. This is a series you should definitely be reading at its $3.50 cover price. So put down your computer and do it already! Unless, of course, you buy digital comics in which case just open a new tab but you get my point… 😛

Chase Wassenar, aka MaristPlayBoy, is the Lead Editor and Founder of the Red Shirt Crew. Every time he thinks he knows where a Mignola comic is going, he’s proven totally, totally wrong. You can read his other articles at ToyTMA,  follow him on Twitter at @RedShirtCrew or email him at theredshirtcrew@gmail.com.